Who is akhenaten son




















Some believe that in erasing Amun, Akhenaten may have wanted to bring more order to a confusing pantheon. Others think he was battling the political power of a wealthy priesthood. And then there are more psychoanalytic interpretations—that he either worshiped his father as Aten or rebelled against his father's devotion to Amun.

Ray Johnson of the University of Chicago sees a link between the sculptures and friezes of Amenhotep III's reign and the naturalistic art of Akhenaten's time, and he and others suggest that father and son shared the throne for some years before the father's death at around age Still, Akhenaten's eradication of Amun's name and images throughout Egypt "has all the signs of a true extremist," says Bryan.

In any case, his vision didn't survive him. They recarved Amun's name, and while they were at it, they erased all mention of Akhenaten. Amenhotep III a granite head from the temple complex is his best extant portrait was succeeded by his son Akhenaten, who revolutionized Egypt's religion—temporarily. Post a Comment. They then used a reconstruction technique known as the Manchester method to add facial muscles, eyes, fat deposits and skin. The finished recreation depicts KV55 as a tan-skinned male with a prominent jaw and almond-shaped eyes.

Historical records, meanwhile, suggest that Akhenaten died when he was around Akhenaten ruled over Egypt between roughly and B. Montserrat notes that the axis of the new Aten complex was built facing to the east, toward the rising sun, whereas the rest of Karnak is oriented towards the west, where ancient Egyptians believed the underworld to be.

This coincided with the start of a campaign aimed at desecrating the names of the gods Amun and Mut, among other deities. Still Akhenaten appears not to have been able to convince all Egyptians to put their sole spiritual hopes in the Aten. Archaeologist Barry Kemp, who leads modern-day excavations at the site of Amarna, notes in his book "The City of Akhenaten and Nefertiti" Thames and Hudson, that researchers have found figures depicting other deities, such as Bes and Thoth, at Amarna.

In addition to his radical religious changes, Akhenaten also unleashed a revolution in the way art was drawn. Before his time Egyptian art, especially those portraying royalty, tended to show a stiff, structured, formal style.

The royal family was even drawn in a way that conveyed intimate moments. This radical departure in art, particularly the distorted body shapes, has long left Egyptologists mystified. His chest is sunken, yet there is something feminine about its form. Why Akhenaten chose to depict himself and others this way is a mystery. However recent study of a mummy found in KV 55, in the Valley of the Kings, which some believe is Akhenaten, show no signs of serious physical deformities.

Kemp writes in his book that if it is true Akhenaten was not deformed then we have to look into the psyche of the man to find the answers to this mystery.



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