Which album is bohemian rhapsody on

In the UK, it went to No. It was also the first Queen single to be released with a picture sleeve in the UK. In , it was certified diamond by the RIAA. Jason Draper. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Search uDiscover Music. Nathan Hodges July 21, at am. Typo: Penrhos Court is in Herefordshire not Hertfordshire! Otherwise great article.

Jason Draper July 25, at am. Ultimately, Everett would go on to play the song as many as fourteen times in a single day. From then on, every major radio station played the song in full. Song structure The song is composed of six distinct sections - introduction, ballad, guitar solo, opera, rock, and an outro.

Introduction The song begins with close four-part harmony a cappella introduction in B-flat, which is entirely multitrack recordings of Mercury. The lyrics question whether life is "real" or "just fantasy" before concluding that there can be "no escape from reality. The narrator introduces himself as "just a poor boy" but declares that he "need[s] no sympathy" because nothing matters: chromatic side-slipping on "easy come, easy go" highlight the dream-like atmosphere.

The end of this section is marked by the bass entrance and the familiar cross-handed piano vamp in B-flat. Ballad The grand piano continues the 2-bar vamp in B-flat. Deacon's bass guitar enters playing the first note, and the vocals change from harmony to an impassioned solo performance by Mercury. The narrator explains that he has "just killed a man," and with that act thrown his life away.

The chromatic bass line at the end of brings about a modulation to E-flat. Here Taylor's drums enter , and the narrator makes the first of several invocations to his "mama" in the new key, reusing the original theme. The narrator explains his regret over "mak[ing] you cry" and urging mama to "carry on" as if "nothing really matters.

As the ballad proceeds into its second verse, the narrator shows how tired and beat down he is by his actions as May enters on guitar and mimics the upper range of the piano May sends "shivers down my spine" by scratching the strings on the other side of the bridge.

Guitar solo As Mercury sings the rising line "I sometimes wish I'd never been born at all," the band builds in intensity, leading up to the song's first highlight: a guitar solo by May that serves as the segue from ballad to opera. May's solo continues to build intensity, but, once the bass line completes its descent establishing the new key, the entire band cuts out abruptly at except for quiet A Major quaver chords on the piano: the "opera" has begun.

In live performances, the stage would go dark and all the members of the band would walk offstage and allow the entire opera section to play from the recording. Opera This reference article is mainly selected from the English Wikipedia with only minor checks and changes see www. See also our Disclaimer. Roy Thomas Baker Queen. Every time Freddie came up with another 'Galileo', I would add another piece of tape to the reel That section alone took about three weeks to record, which in was the average time spent on a whole album.

Preceded by: Billy Connolly D. Preceded by: Mud Lonely This Christmas. UK Christmas Number One single Preceded by: Cliff Richard Saviour's Day.