Where is garcon a la pipe

Picasso touched on the beauty of youth in this painting which was out of character for his portraits of around this time. Elements of the pose are also inconclusive as to his thoughts behind the work, whilst the left arm is placed in an uncomfortable, unnatural position. Picasso found that Montmatre was awash with suitable models for his work, and with no shortage of people making their way in the entertainment industry, he was able to select all manner of interesting characters for his work.

Many were more than happy to make a little supplementary income, whilst others were content just to be in and around a creative environment.

The latter best describes the boy in this portrait, someone who was intrigued by the personalities found living and working around this eclectic part of the city. Little Louis, as he has become known, was intrigued by the personality of a young Picasso and was regularly seen hanging around the artist's live-in studio in Le Bateau-Lavoir, Montmartre.

This was a city filled head-to-toe in artists, from all over the globe. Early works do not show any objects other than a pipe being used. Although Picasso started to paint this picture, he gave it a rest period for about a month. It is not known why Picasso decided to do this, but there is a contrast between femininity and masculinity in the picture.

Le Bateau-Lavoir in Montmartre is where Picasso was living when he painted the picture. Some of the local people made a living in the entertainment industry, such as being clowns or acrobats. Picasso used many local people in his pictures, but little is known about the boy in the picture. He watched me work. He loved that. From this comment, suppositions can be made.

The first is that Picasso did not want people to know who the boy is, and the second is Picasso did not really know the boy.

You are commenting using your WordPress. You are commenting using your Google account. For more, see: Most Expensive Paintings: Top Explanation of Other Paintings by Picasso. Sculptural-like study for Les Demoiselles d'Avignon. A modern neoclassical take on antique figuration and drapery. Directly inspired by high classical Greek sculpture. Classicist composition with Dionysian mythological figures. Picasso's celebrated anti-war mural. Picasso's most famous Cubist portrait of Dora Maar.

All rights reserved. Analysis of Boy with a Pipe by Picasso After his cool, sombre 'Blue Period' - an artistic phase triggered by the death of his friend Carlos Casagemas, as commemorated in La Vie , Cleveland Museum of Art - Picasso began to introduce a few cheerful orange and pink colours into his pictures, in a phase now known as his 'Rose Period'.